Monthly Archives: April 2011

Video: Interview with Artist Anne Pearce

Interview with awesome and talented KC artist Anne Pearce, talking about her exhibition of 10 paintings at the Library.

This was the most hi-fi vid I’ve worked on so far, mainly because we ran separate sound — first time ever for that, and I wish I could do it every time.

Our curator, Adam, asked the interview questions, and A/V guy Michael helped with the setup (a Flip Cam on a tiny tripod on a stepladder, plus jerry-rigging the lights in the gallery space) and recorded sound. I just did the editing.

I downloaded field-recorded train station platform noise (Washington D.C., I think) to serve as the soundtrack. Note the two chimes that correspond with the titles at the end. Totally dumb luck, that piece of audio synchronicity.

For something completely different, here’s a video I made of patrons doing book reviews at a Winter Reading Party at one of our branch libraries. I love our patrons.

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Filed under Kansas City, Video-Enhanced

Eat a death cookie.

flickr: _ppo

In “Hollywood Shadows,” (New Yorker, March 21, 2011), Dana Goodyear profiles Barry Michels, an LA therapist who uses Jungian psychology to help screenwriters become unblocked, among other things. The profile paints him as kind of a cheesewad, but, man, are there some compelling ideas in it.

For one: dust.

Dust is a “super-technique” for conquering performance anxiety in front of people you want to impress by imagining them covered with inches of undisturbed, ancient dust. Picture it now: your boss, CEO, the board, whoever, sitting motionless under tranquil layers of dust as in a century-old attic. Interesting, huh?

But my favorite part of the story concerns Michels’ mentor, Phil Stutz, who moved to Hollywood with no clients and began cold-calling prominent shrinks to ask for referrals:

“Every day, he’d force himself to approach the scariest person on his list, an undertaking that he described as eating “a death cookie.”

You with me on that?

Most rejected him, Goodyear writes, but Stutz found it “regenerative.”

“The risk you take has a feedback effect on the unconscious,” he says. “The unconscious will give you ideas and it wants you to act on them. The more courage you have when you act, the more ideas it will give you.”

What death cookie will  you eat next?

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Filed under Readings